Having done the main purpose like protection and preserving of the product, the packaging with the cultural identity displays culture of manufacturers to people who consum the product. This study persists in the cultural aspects of the Khzestan date packaging by descriptive and analytical methods. As well as that, this study tries to identify obviously the issues related to existence of cultural identify in Khozestan date packaging by means of comparing with date packaging of other nations.
The purpose of this research is to introduce the khoozestan's culture through date packaging to domestic or foreign buyers and to emphasis on non-oil exports. In addition another gole is to help the systematic sell and to pay special attention to value added products in trading. According to the field studies and researches on the packaging of date of Khozestan there are no elements of cultural identity of Khozestan on packaging that shows art belief or civilization of the people of Khozestan in the markets.
This is due to producers, traders' or officials' disregard and leads to overtaking rivals.
Statistical studies on the population target of producers, retailers and customers and its analysis via SPSS software show that they regard to their culture but prefer to buy domestic products like date with less price instead of buying goods with a packagin that displays the culture. So it makes the designer and producers task more difficult to change people taste.
It is recommended to take essential steps in access to packaging industry with cultural and native identity to make progress toward achieving goals of Islamic Republic of Iran relying upon the principals of resistive economy through employment of local men and women to pack dates with indigenous materials and design of Khozestan like handcrafts.

One of the increasing and developing ways of any society is to recognize the social and historical history of civilization. Methodology, gods and symbols used in the design of lorestan bronze artifacts have been investigated as a valid and valuable and well-known cultural sources. And also ,according to the current source about Iran's history in the field of designing and producing ornaments and jewelry, historical antiquity, and consequent, its cultural and artistic aspects, in the context of history, Iran's civilization has been one of the mast beautiful and unique manifestation of the mast current design and manufacturing of jewelry and decoration which all show historical status of Iran in the field of art and industry beautiful Persian jewelries, and even it has been replaced by western jewelry and duplication of data. This study is based on current existing sources at library ant it has investigated the designs of bronze jewelry in Lorestan, this paper also has investigated the use of these jewelries in the new design of jewelry. This paper attempts to use these designs to create new works to preserve and promote the original culture of Iran. One of the most important the original culture of Iran. One of the most important issues of this paper is now to use these objects in manufacturing of new jewelry at expressing the shortages and suggestions of obtaining the objectives of this study.
The objectives of this paper contain the following things:
-knowing and comparing the designs of bronze in lorestan civilization
-Identifying and spreading the original Iranian art using the ancient bronze designs in lorestan and their applications in the contemporary jewelry design
-Reviving the original Iranian designs, transiting and keeping
Traditional concepts , and returning to the past using jewelry design
-keeping the status of jewelry from point of cosmetics in addition to transmitting the meaning and concepts of special Iranian art.
In this study descriptive and analytical method is used, and according to the survey carried out in this paper, it can be generally concluded that:
1-each of the used design have a special meaning and concept which is resulted from peoples belifs from that era.
2-according to the designs of bronze design, it can be said that these design have the potential at designing the new jewelries. Diversity and multiplicity and also the type of designs used in bronzes in lorestan have caused variation and compilation and stamping in different areas. According to the plans of this study, we can say that these designs are suitable at designing new jewelry and use them.
3-there is reciprocal relationship between the designs and their applications. According to the importance and status of stated jewelry , using these designs in designing jewelry can cause the following things:
1-Identifying and spreading the original Iranian art
2- it is also created new ideas at designing jewelry in Iran
3-using these designs in jewelry design can revive the original Iranian designs and transfer and retain conventional concepts and return to the past
4-there is a possibility for conserving the status of jewelry from point of cosmetic in addition to tranmiting special meaning and concepts of Iranian art.
 

In ancient cultures, women, earth, moon, snakes and bull were fertility symbols and the representation of each one of these symbols can be found on the artifacts left from those eras. The symbols related to woman are complex and they often have a dual role. They represent both a virgin queen of heaven, and a violent woman and a harlot. She has both pure spiritual guidance and seduction. It’s crystal clear that woman has fertility role. In the figurines of the goddesses of the ancient times, their genitals are emphasized. In this research, manufacturing methods, the function of figurines concerning woman and fertility, and their comparison with Mesopotamian civilizations with regards to the questions such as how they evolved and changed in form and meaning, were reviewed and studied. Much effort was made to take all the aspects into consideration and use all the first hand resources. Thus, ritual, functions, Elamite attitude towards woman and also woman’s social terra-cotta in Elamite fundamental thinking were specified.